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I once found a set of Speedball pen nibs as a kid. I was familiar with conventional pen and ink usage, but had never seen nibs like this before. It wasn’t until taking a calligraphy course in college (with Professor Don Anderson, author of “The Art Of Written Forms”) that I ran across them again and had a chance to try them out. The times have evolved a lot since then and so much of the calligraphic art is becoming lost to digital convenience, but leafing through some vintage ephemera turned up this tasty reminder of how much type production was once done by hand. The Speedball Steel Brushes product are almost a century old and are still used and available, but from the 1920s through the 1940s, their more extensive presence in art production justified publishing a semi-annual “Speedball Text Book” booklet written by Ross F.George. This stapled, paperbound periodical presented type styles that were current and gave a step-by-step process of how they could be recreated with the use of the Speedball pen nibs. These manuals are wonderful testaments to the lettering styles and production techniques of the day.

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Sedelmaier As President/Director of, he is responsible for launching some of the most talked about broadcast animated productions of the past two decades – MTV’s “Beavis and Butt-Head”, SNL’s “Saturday TV Funhouse” series with Robert Smigel (“The Ambiguously Gay Duo”, “The X-Presidents”, etc.), Cartoon Network/Adult Swim’s “Harvey Birdman - Attorney at Law”, and the “Tek Jansen/Alpha Squad Seven” series for The Colbert Report. Sedelmaier has produced over 500 film and design pieces. In addition, he’s a very organized hoarder.